Scott Ordway (b. 1984) is a composer and multimedia artist from Northern California. His work blends music, text, and visual media to explore the relationships between sound, landscape, and culture.

 

The End of Rain

Critically-acclaimed multimedia symphony commissioned by the Cabrillo Festival of Contemporary Music, featuring Roomful of Teeth. Drawing on crowdsourced text from 250 Californians, The End of Rain addresses the impact of wildfire and drought on life in contemporary California. The 50-minute symphony is accompanied by documentary video and still photography by Scott Ordway.

“Haunting and beautiful.” (San Francisco Chronicle)
“Composer Scott Ordway is a 21st-century auteur.” (Good Times Santa Cruz)
“Haunting…heartbreaking…a majestic three-part symphony.” (Lookout Santa Cruz)
”The Grievers of Climate Change” (Noema Magazine)
“Cabrillo Festival returns with collection of works that touch on social, political issues.” (San Francisco Chronicle)
“The Cabrillo Festival’s 60th Anniversary Season With Composers Gabriela Lena Frank And Scott Ordway” (KSQD Radio Santa Cruz)
Santa Cruz composer reflects on California’s new climate normal in The End of Rain.” (Lookout Santa Cruz)
Songs of the Earth.(Symphony Magazine)
Cabrillo Festival Of Contemporary Music Celebrates 60th Anniversary(Broadway World)
Music project seeks your stories and reactions to California’s high wildfire risk.” (The Sacramento Bee)


The Outer Edge of Youth

An inquisitive, dreamlike choral opera commissioned and recorded by The Thirteen (Washington, DC). Based on Ordway’s original libretto, The Outer Edge of Youth explores and critiques the relationships between childhood, landscape, aesthetics, and contemporary ideals of masculinity.

“Exquisite in every way.” (Gramophone)
“Exquisite depth of feeling…a poignant mediation on the loss of innocence.” (OperaNews)
“A contemplative and thought-provoking new choral opera.” (OperaWire)
“An expression of great power, imagination, and originality.” (Textura)
“A hypnotic, haunting fable…the music shimmers, soars…creating an ecstatic catharsis.”(Washington Classical Review)